More On Imus
- April
- 12
I’ve just learned that Imus has just been fired from CBS. That means no more Imus on TV or radio.
For now, at least, he’s a retired 66-year-old crank.This is not a cause for celebration, or even lamentation. But it is a cause for reflection, about race in America and personal responsibility.
Personally, I’ve got mixed feelings about the whole thing. Clearly, the controversy goes deeper than the stupid, bigoted remarks of one popular shock-jock, who happened to dress up his crude locker-room-performance art with legitimate interviews with journalists, authors and politicians. In fact, some people defended him on the grounds that he provided an important forum for those kinds of people.
The truth is, however, he did nothing of the sort. MSNBC TV and the FAN radio station provided the forum. But they took a lucrative gamble by packaging it with Imus’s peculiar brand of mostly witless humor, as a means of appealing to the lowest common denominator. I’ve listened and watched Imus on and off for years, and I’ve often been amazed by what an egotistical A-hole he is. He bragged about his charitable efforts—his New Mexico ranch for sick kids, autism, hospitalized vets, etc.—to such a shameless extent that he began to rival the obnoxiousness of Jerry Lewis.
Imus’s good work to help others, however, earned him a pass as an unabashed egotist. What it didn’t do was give him license to inflict pain, not even as an “equal opportunity offender,” as some have called him. That doesn’t wash when those who are being offended are innocent. The Rutgers women’s basketball team were innnocents. As potential targets of satire, they weren’t on a par with Al Sharpton, or Jesse Jackson, or even Gwen Ifill, the excellent black journalist, who Imus once witlessly referred to as a “cleaning lady.” As Ifill said in her own op-ed piece in the New York Times this week, Imus’s mean remark was hurtful but she’s a big girl and can take it.The Rutgers women were civilians. Imus crossed the line of cruelty when he called them “nappy headed ho’s.”
Before he got canned today and yesterday, Imus apologized a thousand times, but they were resentful apologies. He slipped into self pity and began to blame the messenger. Please go away, I-Man. You’re a bore and a boor.
In my view, people are correct up to a point when they raise the issue about the racist, misongynist lyrics in rap and hip-hop music. Why aren’t those so-called artists held accountable as Imus was? This morning I heard Robert Johnson, the founder of the Black Entertainment Network say that was comparing apples and oranges because hip-hop is an art form and the artists are merely expressing, uh, art. I thinks it’s junk, but that’s not important.
What is important is that the Imus wan’t a political pundit or a journalist. Like the hip-hop artists, he was nothing but a performer, too, albeit, not a very good one. The difference was that he was a MAINSTREAM performer while hip-hop performers are, indeed, different: They’re self-styled outlaws trolling the UNDERGROUND precincts of the culture.
But what causes problems in our society and culture is that the stuff that hangs out on the edge, on the fringe of entertainment, invariably gets pushed into the mainstream because it’s considered hip and cool. That certainly holds true with the hip-hop culture which permeates the lives of not only black kids but can from time to time show up in the manners and behavior every white, middle-class kid in America.
And make no mistake, the so-called “black community” has not been passive on this issue, as the recent efforts to ban the ‘N-word” from common youth parlance can attest. What’s more, hip-hop artists have also been called on the carpet for their lyrics. Just ask the members of 2 Live Crew about the legal problems they encountered with one of their albums, “Nasty As They Wannabe.”
But here again, a difference. They sold even more albums as a result. Until hip hop and the sexist garbage it spews is no longer considered cool, there will always be an Imus somewhere shooting himself in the foot.
In the final analyis, Imus’s stupid behavior was an example of the continuous coarsening of the culture, and the assumption that anything goes.
He should’ve known better, but he didn’t. And now, he’s paying the price.




Phil Reisman is a veteran journalist and native of Westchester County. He began his career in 1977 as the head copy boy of a startup New York City newspaper that quickly went belly up. Reisman was not to blame for the newspaper's failure, or so he claims.






